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About

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The Full Story

If you want to full story this will end up a gazillion-page essay. We don't have time for that, we're here to make audio! Instead, I shall attempt to wrap it up in a concise coco nutshell to give you a mere inkling of my own connection to audio and the sonic vibrations that have guided me through the soundtrack of my life so far.

I grew up listening to music in NZ with the radio a permanent fixture throughout our home. The melodies and lyrics of the 60's and 70's etched deep into my brain, as well as my own 80's infatuation which infiltrated my every thought, clothing choice and hair style. There were only brief quiet pauses when on occasion a prize giveaway was announced. Everything would stop apart from Mum vigorously and repeatedly speed dialing the radio station on a rotary dial phone to get through to win, which she did, often.​

In my early teenage years, I somehow discovered Community Radio via an Auckland university station. This was highly addictive, authentic, comedic, factual, and so entertaining I would stay up all night listening to the graveyard show with presenter Marcus Lush and barely be able to wake up for school the next day. It was here first heard about MacDonalds ice-cream being made from pig fat and many other important life shaping stories and facts I would never have thought existed were it not for the medium of Community Radio.​

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Aotearoa NZ 1980's

Music inadvertently took me to London when I was 19 after I found myself at a Simply Red afterparty in downtown Auckland post gig, When I walked into the underground, dimly lit venue where Mick Hucknall was spinning vinyl grooves on the turntables, I felt a sense of familiarity I'd never felt anywhere else in NZ. There was an elegant ease to it all. I thought this must be what London's like, so I booked a one-way ticket to find out.

London in 1989 was on the brink of a house music explosion. Originating in Chicago garage music as it was known, landed in the hearts and souls of UK clubbers and took on its own distinct flavour, the rifts, driving basslines and rhythmic breaks fueling the scene. The underground rave culture was at its peak. Secret raves were held in abandoned warehouses and venues, minimally promoted except for a single phone call on the night (pre mobiles) to a single person in a phone box somewhere on the outskirts of London who would distribute the address by word of mouth to waiting enthusiasts, causing it to spread like wildfire.

It was also the first days of the mighty Ministry of Sound, a multi-level dance music superclub, the first of its kind and a place many of us frequented more often than our own homes. Walking into a space where every single parson felt the same ubiquitous joy and love for life and one and other, expressing that on a dancefloor surrounded by likeminded kindred souls whilst unknowingly becoming part of something much bigger than ourselves, was pure therapy for me and so many others. For that moment in time, we were One. Connected.

The story of London is a long 10-year tale of unbelievable extremes and extravagant explorations and evolutions, yet through it all I carried an overwhelming feeling of isolation. I felt trapped within my own mind and unable to find a way out. Lacking the ability to use my voice and express what was raging away inside of me begging to be set free, I soldiered on carrying this painful part of myself all around the world and back. I could see no way out.

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Yaegl Country

Arriving in Sydney in 2000 I chose to start my life over again. The frilly coastlines, salty serenity and warm rays of the Southern sun melted my frosty London attitude, soothed my soul and brought great healing, yet still my silenced voice was trapped deep inside of me screaming to be released. The uncommunicative patterns of my childhood had locked it so far away I couldn't reach it, nor was I aware of any tools to access it. Until I sat in front of a microphone at a Community Radio Station in Bondi.

It was 2003 post Olympics; Sydney was ablaze with energy and positively drenched in good vibes when my lifechanging radio journey began. I lived directly behind the Bondi Hotel and would often look up and wonder what went on in that little rooftop oasis, to create the warm and approachable sounds that came out of my radio. And then one day I walked into the tiny dwelling perched up there with the pigeons, to find out.

It was a compact three-room studio with an uninterrupted view of the glistening ocean from the presenter's chair. I was there to support two friends who wanted to promote their all-female DJ night by starting a radio show and asked me if I wanted to come along.

After they finished their first two-hour broadcast, they looked at each other, then at me and vowed never to do it again. They hated it! I must have said something like "are you kidding?!" as the whole time I was itching to have a go so when they casually asked "do you want to do it then?" without a single thought I said yes. I started a vinyl DJ show the following week and continued at Bondi FM for the following six years learning from my mistakes, building an audience and learning that when I sat in front of a microphone, it had this insane ability to reach inside of me and pull my words out.

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Hugos Lounge Sydney

Within the same month I had 'become' a DJ having swapped my three-and-a-half-year role as Hugos Lounge Reception Manager to the Friday night resident DJ. Strange but true! I didn't mean for any of it to happen. I simply touched the turntables, and they took over my life. Without any practice or training or records of my own I plugged into the mixer and intuitively knew what to do. The trajectory of my life soared in a completely unplanned direction, and I hung on for dear life weathering the storm of the limelight even when it felt too bright.

Back in 2003 there weren't very many female DJ's around in Sydney, but I didn't realise that at the time. I was just doing what came naturally as were my two beloved sistas of the spin Jackie Shan and Lady Tre both of whom also played at Hugos Lounge. There were so few female DJ's that people would mistaken us for one and other. It would always amaze me when people would come up and state the obvious "You're a woman" to which I would casually reply "Really? How can you tell?" The wild DJ inferno blazed uncontrollably as the momentum and volume built, until the point where I burned out in 2009 and decided to go live in Byron Bay, before the entire rest of the world decided to try and do the same.

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Chopsuey, Jackie Shan, Lady Tre

Starting life yet again, the only thing I knew I wanted to continue with was my radio show, so I applied at Bay FM and was accepted into a very different Community Radio environment. Bay FM had training, they had a management committee, they had a program team, social gatherings, support from the community, they had it all! This is where I truly learned to make radio.

My roles have included Vice President, Program Team Mentor, Trainer, Youth Mentor, Presenter, Producer, Media Team member, Festival OB presenter/producer (Outside Broadcasts), Event Organiser, and Grant Recipient for the past 10 years, delivering projects aimed at underrepresented minorities: Women, Youth, First Nations, Disabled and Elders.

I also completed Cert 4 in Radio Broadcasting along with many other broadcast related courses and workshops offered through CMTO (Community Media Training Organisation). But the learning is in the doing and I've done a lot of doing.

In 2014 I was selected as one of 20 Women in Australia to work on a CMTO project to find ways to encourage more women to join the sector. I developed the Spin Sistas project, a female DJ class to encourage Women to learn new technical skills in a fun and supportive environment. I was invited to the CBAA National Conference to present the project and went on to create the current Sistas of Spin all female DJ show on Bay FM - Fridays 6-8pm.

I've had a radio show for twenty-one consecutive years, and for nine years at Bay FM I had two shows, presenting CHOPSUEY: a vinyl DJ show: 2009 - 2018. on Friday nights 6-8pm along with my current magazine show BELLY: on Tuesdays 9-11am. It's a magazine show with lots of interviews from a variety of authentic souls doing good things in the community and beyond.

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Bay FM

After 21 years in Community Radio, I still love it as much, if not more, than my first joyful unexpected audio adventure in Bondi all those years ago. I've experienced the immense power of finding my voice and feeling supported enough to express myself - finally! My passion is now offering that opportunity to others through interviews and teaching. I have learned that everyone and I mean EVERYONE has a story and not to be too quick to judge another before taking the time to listen to their life experiences. It's taught me that we are all just doing our best to make our way through life and that the skills I have learned in Radio are tools I use in my everyday life.


Being able to make a radio show come to life when you have forgotten the power cord to your computer or when an interview doesn't play when it's meant to or if a guest cancels at the last minute and you have to improvise, these are all things you learn to take in your stride because as they say...


... the show must go on :)

Let’s Work Together

The day came when the risk to remain tight in a bud was more painful than the risk it took to blossom - Anais Nin

Image Courtesy of Poinciana Cafe Mullumbimby

Byron Arts & Ind. Est

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Strangely enough I never had a dream of becoming a DJ. I did however have what you might call an epiphany one time in London in 1993, precisely ten years before I first touched the turntables in Sydney in 2003. This epiphany occurred at an after party, a common occurrence once we left The Ministry of Sound, a place that transformed lives and united an era of people who were hooked on the collective love we all felt by being there. We were part of something phenomenal, the birth of house music, love doves and the underground rave scene in the early 90's.  What a combination! Walking into Ministry was like coming home. No longer lost, alone, afraid or isolated, the dancefloor was a seething wave of steamy bodies that engulfed you in its irresistible cloud and took you places you never wanted to come back from. It brought a dance nation together, a generation of ecstasy gobbling, gooning, gorgeous souls who asked nothing of you except to dance. Swept up in the waves of life as I often have been, I was attracted to the crowd that always kept going. There was no stop button, no pause, no rest or sleep, it was one long adventure of music and movement and one of those waves lead me to this specific DJ epiphany. Loading the turntables, lighting, speakers, DJ's, records and bodies into cabs, cars, and onto a few magic carpets, we restarted the party anywhere we could find: An empty house where parents had gone away, old pubs where someone knew the landlord, underground bars that had closed and reopened for us, parks (there was a period of Hyde Park gatherings on Sunday's where masses of us, still dressed in club gear, would set up near the fountains with boom boxes, blankets, frisbees, and free love. Maaaan those were some special times). One day or night, I don't recall, we ended up in a huge house for one such after party. I remember only that it had many floors and a solid plush carpeted staircase that took me down to the basement level where some people had set up a set of turntables in a spare room and were giving it a go. As I stood in the doorway someone called out to me to have a go putting a record on. It had never occurred to me to do so but as I stood in the doorway I heard and felt something remarkably powerful.  I heard clearly the words:  "If I touch the turntables, they'll take over my life"  I froze in limbo for a few moments, as if frozen in time, before deciding all I wanted to do was dance, so took myself back upstairs to rejoin the party. I don't remember anything else about that party before or after that moment in the doorway.  I never thought about it again or pondered the possibility of DJing. I never gave it another thought. Until ten years later in Sydney. Hugos Lounge 2003. I know this date to be exact as I've kept journals my whole life through lack of being able to communicate with the rest of the world. I was working as Host/Reception Manager at Hugos Lounge, from its opening in 2000-2003, my first three years in Sydney. Hugos was an iconic venue in Kings Cross throughout the noughties, appropriate for that time as it was naughty as naughty can be and if you were there, then you know! One of my natural responsibilities was the music and then eventually the DJ's that came to relieve us of the same CDs on repeat, week after week.​ Sneaky Soundsystem were our first resident DJ's and then two very special female DJ's Jackie Shan and Lady Tre came to play. Thursday nights for Tre and Saturday nights for Shan. We fast became family and would talk and play music all night and into the sunrise and back into the sunset. If there was music was playing, we wouldn't go to sleep. Throughout these legendary sessions they both started to say things like "When you start playing...." and I was like.... huh?  Mid 2003 Shan came to the owners with a proposal to have an all-female DJ night at Hugos on Wednesdays called Sista. It was to highlight the incredible talents of the under recognised female talent that was out there playing in the male dominated landscape of DJing. The night started and the first DJ that played was inappropriate for the timeslot. We were a restaurant first, then a bar, and then a cranking nightclub. The music needed to reflect the mood of the Lounge in all its stages, so I shared my thoughts on the style of music to which Shan replied, "Do you want to come and play next week?" ​ I did. ​ I touched the turntables. ​ They took over my life. ​ No one ever taught me how to mix. It just made sense. I never once practiced at home, I borrowed some records for that first gig and remember sitting in the car with a small bag of records on my lap knowing in my heart that someday I would be lugging great cases of vinyl around. To where I didn't yet know but still, I knew. The whirlwind that followed was out of my control. As though someone else had come in and taken over my life. I, as the observer, yet simultaneously in the driving seat of this momentum of music and mixing. It was surreal, sublime, never scary, up there spinning tunes to heaving crowds, something I honestly believe I could never have done had it not started at the Lounge. This was my home. My happy place. Full of friends that were my family. It's where it all began.  From there I was taken on a wild journey that caused me to become adrenally exhausted after realising I had played my heart and soul out in the ensuing 6 years and had nothing left. Empty. Not a single drop of anything left for me. Thats when I left Sydney and moved to Byron. It was 2009. We ALL have gifts inside of us waiting to be discovered. All it takes is the right conditions to allow them to flourish and grow into something you'd never even imagine. I was 33 years old when I first and finally touched those turntables. Who are you and what gifts still lay dormant inside of you I wonder? ​​ These days I play outdoor festivals only. Island Vibe, Earth Freq, Burning Seed. And of course, the Radio. These places and people fuel me and give me back as much as I give out. There are many stories of gigs in exotic, erotic, chaotic locations and more than a few moments of pure joy and connection I could share, but I keep those moments for myself.​ ​ They are the fuel that feeds the flame. ​ Forever burning for the turntables. x​

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